10(少于10人评价)
- 酷爱3
- 好听6
- 能听0
- 难听0
- 噪音0
| 艺人： | Tommy Emmanuel |
| 语种： | 英语 |
| 唱片公司： | Higher Octave |
| 发行时间： | 1997年01月21日 |
| 专辑类别： | 个人专辑 |
| 专辑风格： | Contemporary Jazz, Smooth Jazz |
专辑介绍：Review by Jonathan Widran
Though he has shown a mastery and affinity for both electric and acoustic axes, Tommy Emmanuel's Higher Octave debut, Midnight Drive, finds him focusing almost exclusively on warm yet frequently aggressive acoustic melodies, complemented here and there by the raw, plugged-in energy of Robben Ford and Larry Carlton. The overall mix is the kind that smooth jazz lovers find easy to swallow, but offers more bite and adventure than most like-minded releases in the genre. Smooth jazz radio may find an easy mark with a laid-back take of Sting's "Fields of Gold," but Emmanuel's other tracks dig deeper, showing off a stylistic chameleon drawing from the many phases of his career. His soft pop side comes out on power ballads "No More Goodbyes" and "Stay Close to Me," the latter reminding us why guest saxman Warren Hill's biggest hit to date was called "The Passion Theme." Emmanuel's more aggressive blues-rock side (honed no doubt by a few years in the progressive mid-'80s ensemble Dragon) emerges with Carlton's help on "Can't Get Enough." The striking contrast between the pastoral, folksy roads of "Drivetime" and the disc's best track, "Villa de Martin" best reflects the gamut of Emmanuel's approaches. "Drivetime" is simple and sparse, while "Villa de Martin" is multi-faceted, opening calmly before exploding into a wild flamenco jam, then quickly shifting back to a lower gear. He darts in a lot of directions, and that willingness, while not yet making him any sort of innovator on our shores, sets him apart from those who make their marks just playing the same old lines.
Though he has shown a mastery and affinity for both electric and acoustic axes, Tommy Emmanuel's Higher Octave debut, Midnight Drive, finds him focusing almost exclusively on warm yet frequently aggressive acoustic melodies, complemented here and there by the raw, plugged-in energy of Robben Ford and Larry Carlton. The overall mix is the kind that smooth jazz lovers find easy to swallow, but offers more bite and adventure than most like-minded releases in the genre. Smooth jazz radio may find an easy mark with a laid-back take of Sting's "Fields of Gold," but Emmanuel's other tracks dig deeper, showing off a stylistic chameleon drawing from the many phases of his career. His soft pop side comes out on power ballads "No More Goodbyes" and "Stay Close to Me," the latter reminding us why guest saxman Warren Hill's biggest hit to date was called "The Passion Theme." Emmanuel's more aggressive blues-rock side (honed no doubt by a few years in the progressive mid-'80s ensemble Dragon) emerges with Carlton's help on "Can't Get Enough." The striking contrast between the pastoral, folksy roads of "Drivetime" and the disc's best track, "Villa de Martin" best reflects the gamut of Emmanuel's approaches. "Drivetime" is simple and sparse, while "Villa de Martin" is multi-faceted, opening calmly before exploding into a wild flamenco jam, then quickly shifting back to a lower gear. He darts in a lot of directions, and that willingness, while not yet making him any sort of innovator on our shores, sets him apart from those who make their marks just playing the same old lines.
disc 1
| 01 | Can't Get Enough | 407 | |||
| 02 | Villa de Martin | 4705 | |||
| 03 | Midnight Drive | 404 | |||
| 04 | Stay Close to Me | 450 | |||
| 05 | Reggie's Groove | 245 | |||
| 06 | No More Goodbyes | 190 | |||
| 07 | The Inner Voice | 190 | |||
| 08 | Drive Time | 30511 | |||
| 09 | Fields of Gold | 1953 | |||
| 10 | Song for Nature | 204 |
我来说两句
17条简评
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2012-01-11 12:28一如既往 -
2011-12-13 20:07大师 -
2011-11-22 11:01很轻松，很舒缓。增添好心情。 -
2011-11-19 15:05身.心都很放松的音乐 -
2011-11-19 15:03随性的感觉
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2011-11-02 21:30疲倦中，微风习习的行进中。有些切意。 -
2011-09-06 23:04good -
2011-07-14 16:45他有源源活力创造惊喜。 -
2011-06-28 20:35终于找到今天合心的音乐了…… -
2011-04-25 01:55澳大利亚吉他大师，世界著名。风格独特，全面性尤其指弹吉他技巧强悍 ，他的现场演奏真正让人感觉了两个词语：爽！、出神入化！！！
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