总体评分9.410(16人评价)
- 酷爱11
- 好听5
- 能听0
- 难听0
- 噪音0
| 艺人： | Tommy Emmanuel |
| 语种： | 英语 |
| 唱片公司： | EMI |
| 发行时间： | 2001年05月08日 |
| 专辑类别： | 个人专辑 |
| 专辑风格： | Contemporary Jazz |
专辑介绍：Review by Jonathan Widran
The Australian guitar legend's early-'90s albums on EMI and Sony were worldwide hits, but his first real splash onto the American smooth jazz charts was 1997's Midnight Drive on Higher Octave (released internationally as Can't Get Enough). It was one of the year's more popular discs, but rather than follow up with something similar, he continued on with the musically eclectic journey that has always marked his career, doing a Grammy-nominated fingerpicking album with mentor Chet Atkins. While those who only know him through his one smooth hit may be disappointed with the austere simplicity of this first-ever solo guitar project, fans of good picking and straight-from-the-heart sentiment will rejoice. His acoustic style is so rustic that listeners even "hear the wood," so to speak, almost as harmony accents to his melodies. The untrained ear might think there's too much sameness from track to track, but closer listens reveal some interesting mood swings — from the dark and hauntingly romantic "Those Who Wait" and "Questions" to more upbeat, folky ramblers like "Timberlake Road" and the truly locomotive "Train to Dusseldorf."
The Australian guitar legend's early-'90s albums on EMI and Sony were worldwide hits, but his first real splash onto the American smooth jazz charts was 1997's Midnight Drive on Higher Octave (released internationally as Can't Get Enough). It was one of the year's more popular discs, but rather than follow up with something similar, he continued on with the musically eclectic journey that has always marked his career, doing a Grammy-nominated fingerpicking album with mentor Chet Atkins. While those who only know him through his one smooth hit may be disappointed with the austere simplicity of this first-ever solo guitar project, fans of good picking and straight-from-the-heart sentiment will rejoice. His acoustic style is so rustic that listeners even "hear the wood," so to speak, almost as harmony accents to his melodies. The untrained ear might think there's too much sameness from track to track, but closer listens reveal some interesting mood swings — from the dark and hauntingly romantic "Those Who Wait" and "Questions" to more upbeat, folky ramblers like "Timberlake Road" and the truly locomotive "Train to Dusseldorf."
disc 1
| 01 | Those Who Wait | 1638 | |||
| 02 | I've Always Thought of You | 1333 | |||
| 03 | Mombasa | 9534 | |||
| 04 | Timberlake Road | 763 | |||
| 05 | Questions | 6878 | |||
| 06 | Padré | 633 | |||
| 07 | Luttrell | 1087 | |||
| 08 | Since We Met | 20202 | |||
| 09 | Drivetime | 649 | |||
| 10 | The Robin | 704 | |||
| 11 | Train to Dusseldorf | 524 | |||
| 12 | Biskie | 479 | |||
| 13 | Stay Close to Me | 873 | |||
| 14 | Ol' Brother Hubbard | 432 |
我来说两句
23条简评
-
2012-02-04 00:08出神入化的演奏 这难道是一个人完成的吗 -
2012-01-03 12:01相见恨晚！！！ -
2011-12-25 09:43大师杰作，感动的旋律 -
2011-12-25 09:42永恒的经典啊，感动永存
-
2011-12-13 20:06大师 -
2011-11-11 12:30All you need... guitar only -
2011-10-21 11:12由心生乐 追求的境界 可遇不可求 -
2011-10-12 18:19It's just ONE Guitar, but his playing is so Full it sounds like 2 to 3 guitars playing at once. -
2011-09-02 15:22很浪漫，很田园的吉他乐 -
2011-08-13 22:00.这张专辑没得说..太梦幻
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