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Karlheinz Stockhausen卡尔海因兹·施托克豪森

地区: Germany 德国
风格: 实验电子 Experimental Electronic, 当代古典 Modern Classical, 具体乐谱音乐 Musique Concrète
档案:
Karlheinz Stockhausen (German pronunciation: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important (Barrett 1988, 45; Harvey 1975b, 705; Hopkins 1972, 33; Klein 1968, 117) but also controversial (Power 1990, 30) composers of the 20th and early 21st centuries. Another critic calls him &one of the great visionaries of 20th-century music& (Hewett 2007). He is known for his ground-breaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.
 
He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for solo instruments, songs, chamber music, choral and orchestral music, to a cycle of seven full-length operas. His theoretical and other writings comprise ten large volumes. He received numerous prizes and distinctions for his compositions, recordings, and for the scores produced by his publishing company.
 
His notable compositions include the series of nineteen Klavierstücke (Piano Pieces), Kontra-Punkte for ten instruments, the electronic/musique-concrète Gesang der Jünglinge, Gruppen for three orchestras, the percussion solo Zyklus, Kontakte, the cantata Momente, the live-electronic Mikrophonie I, Hymnen, Stimmung for six vocalists, Aus den sieben Tagen, Mantra for two pianos and electronics, Tierkreis, Inori for soloists and orchestra, and the gigantic opera cycle Licht.
 
He died of sudden heart failure at the age of 79, on 5 December 2007 at his home in Kürten, Germany.
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  • 试听

    Aus Den Sieben Tagen

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    2016-02-26

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    Strahlen (Für Einen Schlagzeug...

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    2011-01-01

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    Spiral I & II · Pole · Wach · ...

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    2009-01-01

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    Stimmung

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    2007-01-01

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    In the Sky I Am Walking

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    2005-07-01

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    Für Kommende Zeiten

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    2005-01-01

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    Sonntags-Abschied

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    2005-01-01

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  • 朝人暮鬼

    朝人暮鬼(约吗?约吗?约吗?约吗?)2013-10-16 10:35 赞(15) 弱(0)
    貌似有奇怪的歌混进了里面
  • Zeno

    Zeno2013-09-17 00:38 赞(13) 弱(1)
    宗教与历史乃至工业和人类发展、时间与宇宙万物运行的破碎毁灭与重生,用声音营造极端的具象与抽象,这是个智商过高的鬼才艺术家,用难以让常人理解的哲学作为母题……维特根斯坦说不可言说之物必须保持沉默,但是未必,也许可以用噪声作为语言向你描述?
    从来没有听懂过,但就像外星人用你不知道的语言对你讲述宇宙彼岸的故事……假如你有对未知世界的向往的话,会很感兴趣的
  • 砍了内只鸭

    砍了内只鸭2015-01-26 23:29 赞(7) 弱(0)
    他用最接近宇宙运算法则的整体序列、偶然音乐、频谱音乐来造就他所推崇的“大自然的声音”。人类音乐空间思维达到前所未有的高度。

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