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古典跨界 Classical Crossover

及至今天,古典跨界已经成了最受瞩目的Crossover,有时候人们说到跨界,就是指古典跨界。而众多音乐家和表演家的参与也使这个领域变得精彩纷呈,并不能简单的评价为商业噱头了。

有些古典跨界音乐精致讨好,无涉现实生活,让人们在一定距离内欣赏其形式美感。像莎拉·布莱曼,她代表了广为大众接受的一种古典跨界模式:曼妙的美声,加流行的编曲。这个模式几乎成了速成手法,以致很多歌手竞相套用,大大降低了创造性。不过话又说话来,这类古典跨界并无太多创造诉求,它们看重的是某种手法对人们是否还有吸引力。

还有,我们常会“音乐”上面打转,而疏略了其他。实际上莎拉·布莱曼代表的跨界音乐很多时候还是一种表演方式:音乐跨界,视觉也跨界。例如古典辣妹,她们只需持琴并以性感狂野形象示人,不闻其乐,即已“跨界”。

而马友友则代表了另一类古典跨界,一种文化旅行式的音乐。正像那张< Appalachian Journey >的名字一样,它用声音描绘阿巴拉契亚山地的美国风情,讲述移民故事,我们听着,正像是做了一次文化根源的寻访。这种音乐不会太让人注意到“模式”,“模式”已经在音乐深度面前隐匿了。

这种跨界还让我们领略到古典音乐家多面的魅力, 正如在中,含蓄优雅的马友友一下子释放出了拉丁的狂放与市井的欣喜。假如皮亚佐拉听到的话,应该会喜欢这样的马友友。

Classical crossover is a genre that hovers between classical and popular music, and is usually targeted at fans of both types of music. In the most common type of crossover, classically trained performers (most often operatic superstars) sing popular songs, folk music, show tunes, or holiday songs. Crossover may refer to pop stars singing classical repertoire. Crossover can also be applied to the work of artists, vocal or instrumental, who attempt to create a synthesis between a classical and a popular style, such as jazz interpretations of traditional classical pieces, or contemporary classical works that are heavily influenced by rock. Music that doesn't fall comfortably into either category, but that might appeal to both pop and classical fans, such as world music and non-Western folk traditions, is sometimes also classified as crossover.



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